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Autumn Willow is a grad student at MIT. In her spare time, she co-pilots her grandfather’s B-17, a restored WWII bomber. Sasha Brezhnev is a pilot for the Russian Air Force flying the SU-57 fighter jet. She’s assigned seek-and-destroy missions over the Safandel Desert in central Anddor Shallau, where terrorists are covertly working to destroy the country’s democratic government. Rigger Entime is an engineer working on a CIA project to develop a tiny drone aircraft to be used in surveillance and possibly carry out assassinations of terrorist leaders.

The Dragonfly and Monarch are tiny drone aircraft designed to resemble actual insects. They can flitter around military installations and terrorists’ camps without being noticed while they collect video data about these installations and the people in charge. On their first mission over an isolated stretch of desert, their remote pilots, one American and one Russian, are drawn into a strange struggle to survive. In their attempt to retrieve their disabled drones, the pilots discover a shocking secret about themselves.

Longtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the “rights” and “wrongs” of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Editor was born. Saller’s ideas struck a chord, and the little book with big advice quickly became a must-have reference for copy editors everywhere. In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be “difficult.” Saller’s own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today’s publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular. Saller maintains that through carefulness, transparency, and flexibility, editors can build trust and cooperation with writers. The Subversive Copy Editor brings a refreshingly levelheaded approach to the classic battle between writers and editors. This sage advice will prove useful and entertaining to anyone charged with the sometimes perilous task of improving the writing of others.