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Tangled Sin is part of the Fallen Guardians' World. In a world of encroaching darkness and carnal hunger, a deadly sin awakens… Bound to a legacy he cannot escape, Riley is a demon unlike any other. With each passing century, his soul grows darker until the seductive trouble-magnet, Saia Sen-Grayson, stumbles into his path and throws his entire world off kilter. But danger has a way of finding him and destroying anything worthwhile in his life. The biggest challenge in Saia’s life is evading her matchmaking socialite mother. Then she crashes into the sexiest man in her aunt’s building. One look into his striking green eyes and her fleeing days skid to a halt, except she gets more than she bargains in the sexy, tattooed bartender. And neither can deny the burning attraction between them. When his tainted past closes in on him, Riley’s forced to make the toughest decision ever to keep her safe. Then Saia’s hauled by a deadly adversary into his dark and treacherous world of Stygia—a place of old betrayals. Now Riley must face his past and accept his future in order to save the woman who belongs to him. But danger comes in many forms and the one least expected might be the sin that seals their fates once and for all… Tangled Sin is a full length steamy novel, and a part of the Fallen Guardians' series.

Allison fell in love with Ethan Iversen, the soon-to-be Alpha of the Moonlight Crown pack. She always wanted him to notice her. Meanwhile, Ethan was an arrogant Alpha who thought a weak Omega could not be his companion. Ethan's cousin, Ryan Iversen, who came back from abroad and was the actual heir of the pack, never tried to get the position nor did he show any interest in it. He was a popular playboy Alpha but when he came back to the pack, one thing captured his eyesand that was Allison.

After the great success obtained with ”The mystery of the book”, Angelo Grassia returns with his second book, a story full of mystery, love and feelings. ”Finally we are here” is the continuation of ”The mystery of the book”. Laura, a beautiful girl with green eyes, after reading ”The mystery of the book”, impressed by the story decides to contact the author for more information. The two meet at the Bar Bazzanti in Gaeta, the same Bar where last year he had known Sabrina, another beautiful girl with green eyes. Laura tells she was fascinated by the story, and she bought from the same second-hand dealer a ring belonging to Claudia and also a postcard Vittorio had sent just before they became husband and wife. This was the last postcard left. The only one missing from Angelo's collection. Laura shows it to him and Angelo is impressed. He thinks it was Fate who sent Laura with that postcard and the message written on it was directed to him. On the postcard there was written: Finally we are... with love, Vittorio. From this message Angelo understands it is now time to publish the entire manuscript of Vittorio, he had received as a gift the year before from a junk dealer never seen before. The manuscript tells about the mutual feelings between father and son, and about the beautiful love story between Vittorio and Claudia, they were engaged to meet in a street in Como called ”the street of the stars”, where the stars , in fact, with their magical splendour they seemed to be whispering: ”Love yourselves... The best thing in life is love!”

"The perfect combination of sweet, sexy, and make-you-grin moments." - Lyssa Kay Adams, author of The Bromance Book Club "An ode to everything we love about rom-coms." - Alexis Daria, author of You Had Me at Hola In her trade paperback debut, Melonie Johnson brings her signature humor, sexy romance, and strong female friendships in this hilarious romantic comedy about finding perfectly imperfect love, Too Good to Be Real . She plans to prove there's a dozen reasons why life isn't like a romantic comedy, only to discover the one reason it is… While her friends wish for meet cutes worthy of their favorite rom-coms, Julia is ready to give up on love. Swiping right has replaced getting swept off your feet and good old-fashioned romance has become, well, old-fashioned. A writer for a popular website, love becomes the last thing on her mind when impending layoffs threaten her job. As Julia searches for the ultimate pitch to impress her boss, she stumbles upon a resort offering guests a chance to live out their romantic comedy dreams. Real life dating is so bleak, who wouldn't want to spend a week in a fantasy rom-com world with your best friends? At the resort, Julia literally falls into a not-quite-meet-cute involving an aggressive seagull and an adorably awkward guy named Luke who is also participating in the rom-com experience. Julia hides the fact she is there to do a story, but Luke harbors a few secrets of his own. Among further encounters with thieving seagulls, a gaggle of corgis, kisses in the rain, and even a karaoke serenade, their feelings deepen quickly. But could their love be real when they haven't been honest about their true identities? Once the fantasy is over, can they have a relationship in the real world?

EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.<br><br>Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.